Creative Nonfiction

5 posts

On Slowing Down Time…

Photo by sinkdd on Foter.com / CC BY-NC-ND

A shot from The Descendants has really stuck with me. The movie was filmed in Hawaii and is filled with gorgeous images, yet the particular shot that stood out to me is in no way one of the most spectacular or important: it’s not a rise of green mountains or a sweep of verdant countryside falling gently towards a far-off beach. It’s just a small, roadside creek, with occasional drops of rain hitting its gray surface. The water’s surroundings are rough and non-descript enough that you could almost wonder why the director, Alex Payne, kept it in.

But of course, it’s there for a reason. The short segment, inserted between more hefty moments of character interaction, is the kind of pause a movie needs to create its mood, to get its viewer to think what they need to. It’s also what the characters of the movie need to do, in order to cope. If a story is going to center around a family dealing with a loved one (a wife, a mother, a daughter) being taken off life support, you can’t rush it around like some frenzied action picture. You need space.

That idea kept coming back to me. Sure, we all know the “stop and smell the roses” line, but I keep returning to that phrase from new angles. Seeing it as the concept of giving yourself space, I am more strongly confronted by the idea behind the cliché. Or maybe even more so when I consider it as an image: of sitting and watching rain drops ripple outward in a small creek. Not running to the next thing like we always do or staring at some screen (only half present), but just sitting. Witnessing.

Those times on the beach at camp, when I looked overhead and saw the Milky Way spilling its way across the heavens. That time I was driving by a lake on my way from high school, a lake I had seen many times before and that was so repetitiously calm and blue that I hardly glanced at it most days, but on that fall day it was somehow transformed into large waves and a surprising, pewter gray—we never think of gray as being beautiful, but it was alive under a glowing, cloudy sky, somehow its own source of light—and I found somewhere to park nearby so I could stand by its edge and just take it in.

I’m twice the age I was at those moments and they still feed me now.

They’re not my only moments I come back to—I have many of those—but I’m never going to have so many of them that I could never use more. It’s making me wonder why I don’t sit and witness more often, even as I struggle through the end of a busy semester, which has made it increasingly hard to stop, cope, and give myself space.

Maybe the most annoying thing about clichéd wisdom like “stop and smell the roses” is how hard it often is to follow.

On Knowing Yourself and How Men Can Be

It was a hard line to swallow back in my college years. ‘This isn’t true,’ I thought. I was reading The World According to Garp for a Contemporary Literature course and reacting to this line: “Rape, Garp thought, made men feel guilt by association” (p. 209).

‘Why would I feel guilt about that?’ I said to myself. Rape was anathema, an abomination. Some men out there might do it, but they were not me, and I would most certainly condemn anyone for doing such a thing. To my mind, it was like feeling guilt about someone murdering someone else.

In the eighteen years since that reading, I’m agreeing less and less with my initial reaction. On the one hand, I still agree with my earlier feeling on personal responsibility. You are responsible for the things you choose to do, and the buck stops there. This is a good and important way to think about how the world works: what are you personally doing about an issue, within your ability to do something about it?

As the years passed, it was increasingly impossible not to acknowledge another troubling part of the equation—how men, as a group, can be. Of course I knew about the stereotypes and had even witnessed it, but I tended to avoid situations where such talk happened, and the type of men (or boys) that engaged in such talk. I didn’t care for their behavior. Still, though, I had encountered this attitude when I was with other men—the actions or words that were seen as okay because I was a fellow man. And I had to think about what that meant.

Like the time on the bus in late junior high, when a guy was talking loudly about how he would ask a well-endowed female student what her shirt said, so he could get an easy look. He was technically talking to the guys circled close to him (I was a few rows up and not a part of the conversation), but we were all on a sports team and there were no girls on the bus. I heard more than a few knowing laughs in response. For my part, I felt ill. I understood why the guy would want to look, but also felt terrible for the girl. It was like we were all leering at her collectively.

Or the time in high school when I was walking next to another guy I hardly even knew. We were part of  a group headed to a concert, and directly in front of us were two of the girls in our group, one of which he was kind of sort of starting a dating relationship with (one of those hard to follow high school relationships). For reasons still unfathomable to me, he gave a nod at the girl he was dating, waggled his eyebrows at me, and mimed grabbing her rear end.

I was horrified and startled, and this clearly showed in my raised eyebrows and facial expression, since he quickly started talking about something else. Much of my time at the concert that night was spent wondering how to tell the girl what this guy was really like. I kind of knew her, since we were in the church youth group together, but I didn’t know her that well. I settled on telling a friend of hers that I was much closer to so she could pass it on, but I’m still not sure if that was the best thing to do or if it even did any good (I didn’t see much of this guy or the girl he was kind of sort of dating after that point).

I’ve heard far too many stories that are similar, and many that are much, much worse. About eight years ago, I was reduced to a pulse-pounding rage when I read a blog talking about the things often suggested by male college students to women in their classes (either verbally or via text). It would have ticked me off regardless, but I’m a college teacher: no student should have to put up with sexually harassing comments from anyone. I often think of my students as my kids, my family, and if there is one thing you do not want to do around me, it’s mess with my family.

Given these, the stories we’ve all been hearing since the Harvey Weinstein revelations confirm what I already knew—we’ve all been sitting on this iceberg. Men in groups and men alone can feel entitled to say and do things that reduce women to objects, making it easier to harass or rape them.

I think men can be better than this and I know so many men that are better, but it doesn’t change that I am part of a group that has this tendency. When I’m walking alone in a parking lot at night, any woman I meet doesn’t know my background or feelings about all this, they can just tell I’m male, and therefore, a part of that group with that inclination. I hope I don’t cause fear like that, but I am forced to accept that it is a possibility. That guy I hardly knew in high school only needed to know that I was male to think I would agree with his actions.

That’s really what that John Irving quote (which is a similar realization for Garp) is all about—that if you are a man, you are a part of this group that has demonstrated this leaning, time and again. It’s a call to self-awareness and knowing what you are, warts and all. This kind of thinking is not a comfortable one for anyone, as is made far too clear by the many men pushing back wholesale against the #metoo movement, or tweeting utterly baffling things like “Can I even smile at a woman anymore?”

Of course you can smile at women if you’re a man. The issue is when you start expecting more than that—when the woman crossing your path in the dark parking lot should have reason to fear. When the woman sitting next to you in class has to wonder if you’re going to talk to her about the homework assignment or make a suggestion about how she can sexually gratify you. When your co-worker has to wonder if you appreciate what she brings as an employee to the workplace, or if you’re wondering if you could get a little something more from her, be that a date or just someone to take care of the office party because “that’s what women are good at.”

The crux of all this is knowing what expectations you are putting on yourself and others. If you’ve never examined those and their repercussions, you’re probably in for some discomfort (you probably are even if you have put some time examining those… I know I can still feel it). The danger of not asking these questions is losing out on your potential, at being mastered by the expectations you never stopped to consider.

Mastery. It’s the focus of a book I just finished, and very much relevant here. In Ursula K, Le Guin’s A Wizard of Earthsea, the main character is a man as powerful as many men want to be. Magic comes to him easily, and he learns far more quickly than his fellows. Yet the central thing this mighty protagonist must face is not some external power (a dragon, another wizard, etc.), but his own shadow, his own darkness. A thing of his own creation that threatens to subsume him.

The wizard perseveres not by winning, but by naming the shadow and acknowledging it as himself. It takes him some time to recover from the encounter, but once he does, he laughs, because at last he is free and healed. As the book notes, he has become, “A man: who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life is therefore lived for life’s sake and never in the service of ruin, or pain, or hatred, or the dark” (p. 143).

Now that is something worth being. That is something worth striving for. It’s not a path easy to begin or continue, but it’s the one worth pursuing—for all of us.

On Unlooked-for Humor

Is unlooked-for humor the best humor? I said it was the other night on Twitter when I was surprised by Revanche’s random quote from Galaxy Quest: “By Grabthar’s hammer, what a savings” (seriously, I can just see the annoyance and disdain on Alan Rickman’s face as his character is forced to say his catchphrase). I was amid a sea of depressing news and thoughts, and this hilarious line from out of left field made me laugh out loud (not that “LOL” thing, which often only means you found something amusing).

While things are almost always funny because they surprise us,* that’s not quite the way I meant it when responding to Revanche. We often experience humor when we’re looking for it: comedic movies, sitcoms, late night shows, you name it. But to my mind, the best humor is unlooked for humor, the type that arrives when you are otherwise preoccupied, sitting on the couch with serious thoughts, perhaps with darkness on the horizon.

This conviction has been quite settled in my mind for some time, made particularly concrete by the large amount of time I spent in hospital waiting and recovery rooms about thirteen years ago, when my father’s cancer was being treated. Aside from the memory I’m about to share, the thing I remember most from that time is the smell: the hospital stink. More than the remembrances of my dad in his hospital bed or the people from our church that were wonderful enough to visit is that god-awful smell of the hospital. I can summon it to mind even now, that antiseptic, artificial, non-living stench.

I suppose some could attach it to cleanliness or something at least a bit more positive, but I cannot. While the doctors were quite hopeful for being able to deal with my dad’s cancer and his recovery, lingering in the back of my mind was the knowledge that this was cancer, those damn rebellious, screwed up, abnormally growing parts of your own body that can kill you. The thoughts were there, just like the smell, refusing to be ignored or to go away.

They were worst the evening of the operation, when we sat in the waiting room with them just hanging about. I eventually had to get up and take a walk—I couldn’t sit there for one more minute—and I inevitably found the cafeteria, which was completely deserted, all the places to buy food closed up. Some kindly or lazy person (I prefer the former) had left a copy of the Minneapolis Star-Tribune lying on a table, and I riffled through for the comics section.

I’ve been a funnies man my whole life and will continue to be, but I wasn’t particularly expecting or wanting to laugh—I just wanted to think about something else, anything else. To forget that hospital stink in my nose, even in the cafeteria. I perused my usual favorites and didn’t crack a smile. Then I found the Boondocks strip for the day, and I broke into laughter. It was just so incongruous to my situation, so illogical, so everything I needed at that moment and didn’t even know it. I was immediately fond of that strip and tore it out, keeping it in my wallet for years until it started to disintegrate (as you can see above).

And that is why unlooked for humor is the best humor.

*The only exception I can think of is when a loved one tells that one story you’ve heard a million times but you still get a kick out of hearing it. And there’s maybe equal parts fondness and love to this as much as humor. 

On What Absence Makes

Lake Superior from Grand Marais, photo by the author

While they do have a frustrating amount of truth to them, the main reason platitudes and clichés are so annoying is that they are downright obvious. More, they’re generally said when that obviousness is staring you directly in the face. So when I tell you what I’m missing in the following paragraph, know that the phrase “absence makes the heart grow fonder,” is making its presence known, and that I am wanting to punch that presence in its clichéd white teeth.

I miss water—open water. Water you can sit and stare at and feel small next to, something in the expanse speaking all the words ever written in literature right inside you, without the words ever needing to be said.

I had an embarrassment of riches in open water when I lived in Duluth. The city sprawls along a hillside overlooking southwestern Lake Superior, so pretty much anywhere you go you’ll see at least a smidgen of one of the largest freshwater lakes in the world (so large it’s often called an inland sea).

That’s not to say I’m in an area without water: this year is the 20th anniversary of a major flood here in Grand Forks (I’ve driven across the bridge shown in the Wikipedia entry!). I like the Red River of the North where it is in its greenbelt and don’t need it to become an expanse again. But even though the Red River is a presence in the region that should not be ignored, it’s not a presence in the same way as Lake Superior is in Duluth. You can’t avoid noticing the lake in Duluth, but unless you’re right on the river here in Grand Forks, you’d be hard pressed to notice it.

Driving pretty much anywhere in northern Minnesota or down in the Twin Cities, you’re going to trip over a lake without much effort. Despite its slogan of having 10,000 lakes, Minnesota actually has almost 12,000 that are 10 acres or more, and if you count ones smaller than that, the number just goes up and up. If some of the info I’m finding is correct, North Dakota has… 35? And some of those are reservoirs or larger portions of rivers!

Some of this, I know, is the stir craziness of winter. I’ve been inside too much, I haven’t even been able to walk by the Red River much… and that’s enough to make me miss water right there. There’s a little English Coulee on the University of North Dakota’s campus, and it is a simple joy to stop and watch it tumble over a little rock dam with Jessica during her lunch break. Some of the underwater rocks have beards of algae, and one in particular sports a fu manchu look: not common among rock algae formations, in my experience.

Still, it’s not the same as being able to drive over any number of hillsides in Duluth and have the sudden and overwhelming vision of Superior fill your eyes. Nor is it the same as crouching at the edge of the water at Kitchi Gammi Park, feeling yourself as small as can be while waves wash against the shoreline.

Lester River enters Lake Superior on the edge of Kitchi Gammi Park, and it becomes a raging torrent in the springmelt. I can see its rapids in my mind even now, and I can see the surfing fanatics in their cold water gear, riding the crests caused by the river’s entrance. The lake has so many shades of blue: I can’t describe them all, but I can see them.

I’ve sometimes wished I didn’t have such a strong connection to Duluth, as it would make this move easier and less full of longing. But if one needs to move, maybe it is a good thing to have such deep roots to your old home, if it means being able to find its waters when you need them. Albeit with mind’s imperfect memory.

On the Importance of Learning of Tokyo’s Destruction by Godzilla

*A small memoir from a trip this fall*

It’s been a long week of teaching classes: you wake up, you do your class prep, you do your teaching, you do your grading, and you go home. At home is nothing in particular. Your wife is living four and a half hours away for her new job; you’ve moved the majority of your things with her. The apartment is strangely empty and strangely full of far too many things you need to pack before you can join her in a couple months.

The wind likes to whistle lonely in the evening.

Today you’re driving home after another day of teaching, but it’s a little different in that you will be picking up your suitcase so you can drive those four and a half hours to see your wife. The first hour is alright as you drive through the forests of northern Minnesota and the setting sun is turning everything golden. Then the trees go stark and two dimensional against the still glowing horizon; the only things with depth are the clouds in the sky. Then there is nothing but the tunnel your headlights carve along the route, a tunnel that is hours and hours long.

Even the waters of Cass Lake offer no comfort when you stop to stretch your legs: the wind blows too cold in your face for you to watch the lights in the water.

About an hour from your destination, still tired, your searching radio finds it, the song that will take you the rest of the way. “Oh, no! There goes Tokyo! Go, go, Godzilla!” Before your mind can think about how improbably wonderful it is to find this song out of nowhere (though is it even a favorite song of yours?), you’re singing, shouting along with the words.

You’re halfway around the earth from Tokyo, you’re in the middle of the flat beginnings of the Great Plains and the tallest thing around here are grain elevators, but what else would Godzilla have left to stomp once Tokyo and the other great cities with skyscrapers are nothing but rubble?

You’re on your way, you’re almost there.